How I build a timeline around the light
Ask most planners how they build a timeline and they’ll start with the ceremony time. Ask most photographers and they’ll start with sunset. I’ve sat through enough photographers’ timeline calls to know they’re right, so I start with sunset and work backward. It changes almost every other decision.
Why light comes first
The photos you’ll frame are almost always the couple portraits, and couple portraits live or die on light. The hour before sunset is soft, warm and forgiving. Noon is not. A timeline that puts your portraits at 1 p.m. in July is asking your photographer to fight physics, and then asking you to be happy with the results.
So the first thing I do, before we talk about the ceremony, is look up sunset for your date and your venue. Then I block 30 to 40 minutes starting about 75 minutes before it. That block is protected. Everything else flexes around it.
The first-look question
A first look (seeing each other privately before the ceremony) is the single biggest lever in a timeline. With one, you can do couple portraits, wedding party and family formals before the ceremony, then step out for 15 minutes at golden hour. Without one, everything happens after, in a compressed window while your guests are eating cheese.
There’s no wrong answer. Plenty of couples want the aisle moment to be the first time. I just want you to choose it knowing the trade.
Protect the portrait light first. Then build the party around it.
A sample summer timeline (sunset 8:45 p.m.)
- 1:00 Photo and video arrive; details and getting ready
- 3:00 First look and couple portraits (in the shade)
- 3:45 Wedding party
- 4:30 Tuck away; guests arrive
- 5:00 Ceremony
- 5:30 Family formals, then cocktail hour
- 6:30 Dinner, toasts
- 7:30 Golden hour portraits (15 minutes, just the two of you)
- 7:50 First dances, open dancing
- 9:30 Send-off
A sample winter timeline (sunset 5:10 p.m.)
- 10:00 Getting ready
- 12:00 First look and couple portraits
- 12:45 Wedding party and family formals
- 2:00 Ceremony
- 2:30 Cocktail hour
- 3:30 Dinner
- 4:15 Golden hour portraits (the light goes fast; we go with it)
- 4:45 Toasts, dances, party
Winter light is my secret favorite: low all day, gone by dinner, and gorgeous in the 30 minutes before it leaves.
The planner’s half of this
None of this works if the catering manager thinks dinner is at 7:30 and the DJ thinks toasts are at 7:00. That’s the other half of my job: every vendor gets the same timeline, built around the same protected block, weeks before the day. If you have a planner and a photographer who have never spoken, ask them to have one call together. It’s the highest-value 20 minutes of your planning.